";s:4:"text";s:10616:"Todd Rundgren & L Shankar) - Single. Apart from the fourth side, which was constructed as a tongue-in-cheek operetta about a bar band, he played every instrument, sang every part, and produced the entire album. Given such an extensive catalog, it's not surprising that there's a vast variety of styles within Rundgren's music -- which is either rewarding or frustrating, depending on the album. Sometimes I Don't Know What to Feel - 2015 Remaster, Creative Commons Attribution-ShareAlike License. Given that Rundgren had been releasing records at such a rapid rate throughout the '70s, it comes as a shock to note that neither he nor Utopia released an album during 1979. The following year, he released his first solo album in three years, the spiritually inclined Healing. The Individualist earned better reviews than No World Order, particularly among computer-based publications. The result was released as Nazz 3 in 1970, but it stiffed. On one level, that perception is true since he is undoubtedly a gifted pop songwriter, but at his core, Rundgren is a rock & roll maverick. This was the direction he decided to pursue, and he needed a full-fledged band to help him continue in this progressive direction. It wasn't long until Rundgren had a huge hit of his own. In 1997, the fledgling Angel Records offshoot Guardian Records offered Rundgren a significant amount of money to re-record many of his hits and cult favorites as a bossa nova record. The late '90s saw Rundgren return to the road for several different tours -- both as a solo performer and as part of Ringo Starr's All-Starr Band, as he also continued to produce other acts (Splender's Halfway Down the Sky, Bad Religion's The New America, etc.). On the strength of the Top 30 success of the ballad "Can We Still Be Friends," the record became a big hit, spending 26 weeks on the charts and peaking at number 36. Although the new Utopia's first album, Ra, was a prog rock album by any measure, it was less overtly experimental and heavier than before. The result was Something/Anything?, a double-album set that cemented Rundgren's reputation as a near-genius producer and gifted songwriter. in 1972, Todd Rundgren's career has produced a diverse range of recordings as solo artist, and during the s… Designed as the definitive statement of Rundgren's solo work (his work with Utopia received its own Anthology), Anthology (1968-1985) comes very close to fulfilling its goal. In 1996, he launched Waking Dreams, a collective that developed creative ideas in marketable commodities. Throughout the next decade, Rundgren began to devote more time to technological developments than his own music. Let us know what you think of the Last.fm website. Initially, the group consisted of three keyboardists (Moogy Klingman, Ralph Shuckett, and Roger Powell), a bassist (John Siegler), a percussionist (Kevin Elliman), and a drummer (John "Willie" Wilcox). Hailed in the rock press as some sort of masterpiece upon its early 1972 release, it also won Rundgren a wide audience. Rundgren's next solo album, A Cappella, featured nothing but his voice, albeit multi-tracked and sometimes processed beyond recognition. Add image Not only was it released as a conventional CD, it was also released as an interactive CD-ROM through Philips and Electronic Arts. After a brief sojourn where he fronted the New Cars, Rundgren returned to the solo arena with Arena in 2008. That's certainly not what he delivered with A Wizard, a True Star, his 1973 follow-up to Something/Anything? Hailed in the early stage of his career as a new pop-wunderkind, supported by the certified gold solo double LP Something/Anything? Nevertheless, the resulting album, Skylarking, revitalized XTC's career and Rundgren's producing career. Rundgren spent the next few years working on computers, as well producing. Not only did he have his production work, but during 1979, Rundgren opened Utopia Video Studios, a cutting-edge video production enterprise. The flagship of Rhino's Todd Rundgren reissue series was Anthology (1968-1985), a double-disc set that traced the rock & roll maverick's career from the Nazz through his decade-and-a-half with Bearsville Records. He played all of the instruments except drums and bass, which were usually handled by brothers Hunt and Tony Sales. Another Live proved to be the culmination of the synth experiments and, in some ways, the stretch of willfully difficult records Rundgren made during the mid-'70s. Rundgren, meanwhile, became an in-house producer and engineer for former Bob Dylan manager Albert Grossman's fledgling studio and label, Bearsville Records. Plays a mix from famous and indie southern rock bands. Over the course of the recording sessions, tensions grew between Rundgren and the group's main songwriter, Andy Partridge, eventually spilling over into outright hostility. He began a course through uncharted musical territory, becoming a pioneer not only in electronic music and prog rock, but in music video, computer software, and Internet music delivery as well. The album slowly earned an audience, with the single "We Gotta Get You a Woman" climbing into the Top 20 in early 1971. A weird sonic collage encompassing everything from psychedelia and Philly soul to Disney show tunes and vaudeville, the record may not have been an intentional move to shed his mainstream audience, but that was the ultimate effect. As the legions of listeners who loved "Hello, It's Me" departed, Rundgren's cult following -- the fans who did consider him "a Wizard, a True Star" -- intensified. Around the same time, Rundgren formed a band called Runt. His next album, 1974's Todd, may have had the occasional full-fledged pop song, such as the near-hit "A Dream Goes on Forever," but it had more than its share of lengthy experimental instrumentals. Neither the management nor his bandmates gave Rundgren much encouragement to sing, nor was his new introspective direction warmly received by his colleagues. As he attempted to leave Bearsville, Rundgren found himself in further record company difficulties when Network folded. Utopia then moved to Passport, yet another new record label. Plays some of the best soft singer-songwriter songs of the 1970s. Leave feedback. Once he had a … Released under the moniker TR-I -- from this point on, he used TR-I to distinguish his technologically innovative work -- No World Order was an ambitious project. Mere months later, Utopia released Another Live, a wild live album devoted to long synth-driven instrumentals. Since it covers so much … Todd Rundgren is an American singer-songwriter and producer who has performed a diverse range of styles as a solo artist and as founder of the band Utopia. A collection of new material recorded live, 2nd Wind, appeared in 1991. Hailed in the early stage of his career as a new pop-wunderkind, supported by the certified gold solo double LP Something/Anything? Perhaps more importantly to the music industry, Rundgren also founded PatroNet, an innovative device that lets users subscribe to music offered directly from his site -- with no record company middlemen at all. The following year, he reunited Utopia for a tour of Japan, then he set to work on his first album for Rhino's new music division, Forward. Once he had a taste of success with his 1972 masterwork Something/Anything?, Rundgren chose to abandon stardom and, with it, conventional pop music. Connect your Spotify account to your Last.fm account and scrobble everything you listen to, from any Spotify app on any device or platform. Wrong Planet, a record that found the quartet abandoning progressive music for streamlined pop/rock, with a mainstream hard rock bent. View Todd Rundgren song lyrics by popularity along with songs featured in, albums, videos and song meanings. He abandoned the Runt concept before beginning his third album, deciding to record the entire record himself. He would later state that he had mastered pop songcraft and had no interest to simply repeat himself through endless recyclings of "I Saw the Light" or "Hello, It's Me." reached number 29 and went gold, spending nearly a full year on the charts. Kurland took a shine to the Nazz and signed on as their manager. Clearly, Guardian was attempting to capitalize on the lounge fad of the mid-'90s, but Rundgren took the bait, supporting the resulting record, With a Twist, with a full-fledged tour. Released just months after Todd, Todd Rundgren's Utopia consisted of only four tracks, all of which were mainly instrumental, none of which were less than ten minutes. He also did several television and film soundtracks, including the hit Farrelly Brothers movie Dumb and Dumber. Let us know what you think of the Last.fm website. Runt -- either Runt's first album or Rundgren's first solo album, depending on your point of view -- was released on Ampex Records in the fall of 1970. As a teenager, he absorbed pop music from Motown to Liverpool and formed Money, his first band, when he was 16. In 1989, he finally released Nearly Human, his soul-spiked follow-up to 1985's A Cappella. Starting in the 1960s with the psychedelic band Nazz in Philadelphia, his solo career started out successfully with such hits as "I Saw the Light" and "Hello It's Me" (a reworked Nazz tune). We don’t have any upcoming events for this artist right now. Ra was released early in February 1977 and was followed seven months later by Oops! Staying on the charts for 11 weeks, it was Rundgren's last album to come close to a mainstream hit, thanks to the radio single "The Want of a Nail." Negotiations with Bearsville held up the release of A Cappella for months. By this point, his relationship with Bearsville Records had become increasingly rocky. We have 16 albums and 324 song lyrics in our database. Kasim Sulton joined as the new bassist. Eventually, he became a member of the blues group Woody's Truck Stop, which soon became based in Philadelphia. Plays a mix of your favorite pop rock classic hits from the 60s, 70s, 80s, 90's and 00s. That year saw the first release of his Up Against It songs through the Japanese label Pony Canyon. Frustrated, he left Rhino, releasing The Individualist on ION in November 1995. Apart from a re-release of Runt, the first Rundgren album to appear on Bearsville was Runt's final record, The Ballad of Todd Rundgren, a record that was reminiscent of such melodic singer/songwriter peers as King and Nyro, yet it had a subtly bizarre sensibility and quirky sense of humor that gave it a distinctive character. ";s:7:"keyword";s:19:"todd rundgren songs";s:5:"links";s:2710:"Is The Name Susan Popular?,
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